Tag: historical fiction

Baker Street Irregular: A Novel by Craig W. Fisher

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Baker Street Irregular: A Novel
by Craig W. Fisher

Readers who love a good spy novel, immersive writing with fleshy details, and large casts of characters will find a gem in Baker Street Irregular.

The novel follows a WWII British spy, Bill Hoffman, as he navigates Nazi occupied Europe, attending to the missions he has been tasked with. His primary task is to track a Nazi official in Vichy France, but events lead him to a deeper mystery.

I have mixed thoughts about Baker Street Irregular. On the positive side, Fisher is adept at storytelling, weaving the historical fabric of WWII through an intricate interaction of historical details and dark, noir-ish mood-setting scenes. The story is compelling. And Fisher is a good writer, possessing a unique voice and style. Fisher’s characters too are clearly visible. The novel reads like literary fiction: deeply reflective and full of wartime shadows.

But, some of these same aspects of the novel lost me as a reader. The pace of the novel is slow; long and numerous pages flow without progressing the arc of the story, even as they contribute to making the grey landscape of war tangible for the reader. Pages and pages would pass without a clear direction of where things are headed. At 328 pages — not including Historical Notes and a Glossary of terms at the end — the meanderings within the novel induced torpor, rather than interest. There are also numerous characters; Fisher’s attention to detail suggests each one is one to remember, leading this reader to forget many of them for lack of memory to track them all.

All in all, Baker Street Irregular delivers on its promise. Readers who enjoy historical fiction set in WWII or languid, noir novels are very likely to find it gripping and satisfying.

A Woman of Pleasure: A Novel by Kiyoko Murata

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A Woman of Pleasure: A Novel by Kiyoko Murata

 Woman of Pleasure is a slim novel whose size belies its powerful contents. For readers who enjoyed Memoirs of a Geisha, a novel by Arthur Golden (1997), Murata’s novel is the more historically accurate complement. Like Golden’s popular (but flawed and orientalist) work, this is a novel about Japanese geishas and their Floating World; however, unlike Golden, Murata draws on real events from Meiji-era Japan, weaving a story which is both fiction and history at their best. In Murata’s novel, geishas are not isolated from the rest of Japanese society, but integral to the larger whole.

The view of the floating world Murata offers us is raw and real, not romanticized; here we see women as they were, as actors with agency and power. We are given a glimpse into the real operations of a hanamachi and geisha houses of varying ranks and size, and the concerns of its most visible denizens. This is a powerful novel, one which removes geishas from the stereotypical niche they are often penned into, and places them in historical and economic context; Murata’s geishas are not dolls, but fleshy, flawed, and powerful individuals. This isn’t a romance, but an honest portrayal of what people do when they are denied their basic needs.

I am considering assigning A Woman of Pleasure in one of my history courses, as it emphasizes the change an individual and collective can invoke.

The Tragedy of Medusa: A Novel by H.M. Roberts

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The Tragedy of Medusa: A Novel by H.M. Roberts

At under 200 pages, The Tragedy of Medusa is deceptively thin. H.M. Roberts delivers a powerful and emotional alternate narrative to the myth of this complicated woman through a swiftly moving story and with a succinct use of words.

Readers should know that the novel spans the length of a lifetime, and will immerse them thoroughly in its magical timeline. I emerged from the novel feeling a kind of grief; as if I had lived alongside the woman, Medusa, herself. Having a familiarity with the original myth of Medusa is not required here; Roberts uses the mythology as a guide, but deviates from its rules to develop a compelling, deeply human tale. Through Roberts’ prose and storytelling I lived the tragedy of Medusa myself.

Readers who enjoy historical fiction, fantasy, and mythology will appreciate Roberts’ equal attention to research and reality on one hand, magic and lore on the other. As a historian and as a pleasure-reader, I appreciated how well-researched it was without being pedantic. Small details about dress and life brought a tangibility to the interactions between characters, put the story in historical context. But the novel remained focused on its story and characters, and this is ultimately what made it so compelling: Medusa, her sisters, and family were nuanced, imperfect and human, for all their divine origin, the mortal characters transcended time, feeling all too familiar despite the historical difference. Fans of literary fiction will find the deep reflection and well-crafted characters of this novel as appealing as story. Roberts’ The Tragedy of Medusa cuts across the boundaries of genre.

I thoroughly enjoyed this indie read, and would not hesitate to recommend this to other readers.

The River We Remember: A Novel by William Kent Krueger

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The River We Remember: A Novel by William Kent Krueger

As a reader, we all yearn for those novels that truly take us to another moment in time and hold us there until we feel like our own world is strange. We are lost when we return to our reality, feeling a little fuzzy in the head. I felt that way with this novel.

The River We Remember is a historical murder mystery, a story that is almost a cliché: the cowboy-like detective of a small, rural town, embroiled in the politics and corruption that all small towns seem to have and own proudly, must cut through all that to discover the truth. Along the way he has to confront his own loyalties, his own foibles, his own prejudices. He’s a flawed human being. Indeed, that’s part of Krueger’s skill here as a story-teller. His characters are fleshy, flawed beings, each with their own set of ambitions and darkness.

The River We Remember documents the seediness of life in a small town that looks perfect and serene on the exterior. That’s the kind of atmosphere Krueger builds here. Exposure of what lies in the shade. The crime rips away the comfort of that darkness, makes everything come into the glaring light.

The brilliance of the story aside, Krueger’s prose and dialogue, both the internal reflection of its protagonist and what is voiced, creates a lively world. Readers can almost hear the breath of the characters as they brush past the invisible reader in their midst.

The Dyatlov Pass Mystery: A Graphic History by Cédric Mayen

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The Dyatlov Pass Mystery: A Graphic History by Cédric Mayen and illustrated by Jandro González

I don’t often read graphic histories, but I was intrigued by this one, not knowing much about the mystery of the Soviet team who were lost while passing through these mountains in the 1950s. On February 1st, 1959 a group of young Soviet students who were hiking through the mountains disappeared without a trace. It has never been fully understood or revealed what happened to them.

The graphic novel tracks along two timelines: the team as it traversed the snowy mountain trails and the investigation afterwards. In the former timeline, the reader is given a fictionalized glimpse into the relationships and conversations between the teammates, their hopes and dreams, and an understanding of who they were as individuals. The latter time line offers the reader an understanding of the politics surrounding the mystery and its investigation, an event potentially embarrassing to the then-regime.

It was an entertaining read, if thin on history.

The Bandit Queens: A Novel by Parini Shroff

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The Bandit Queens: A Novel
by Parini Shroff

I absolutely loved reading this book. Every twist, every shift of the story was both unpredictable and comfortably familiar. It was gratifying. I won’t give it away, but I found myself saying, “I knew it!” and “Oh, noooooo!” equally as frequently.

The story unfolds in a small rural Indian village (a fact about it I love; too often the novels I’ve read of India focus on the urban experience) and revolves around a woman whose husband has vanished under mysterious circumstances. The villagers suspect nefarious reasons and the woman is ostracized as a witch, though nominally included in a number of village activities, including a micro-financing program run by one of several foreign NGOs.

As the women become empowered through their new wealth and skills, they find themselves unwilling to bow to the patriarchal norms of Indian culture and so they seek out the witch in their midst to help rid themselves of their problems in the way they imagine she did.

Mayhem and hilarity ensue. Vengeance too. And redemption. Really, this novel has it all.

Shroff’s prose is another worthy reason to pick up this novel. Her voice is clear, bell-like and unique; her voice as an author, like the the women she writes is individual. The prose is confident and bold, clear and evocative. In several parts, Shroff touches too close to the reality of being a woman in a patriarchal society. I twinged when I read those words, both out of appreciation at being seen and discomfort, being confronted with the fact that women are universally abused.

I especially appreciated Shroff’s portrayal of rural Indian women. The characters here are fleshy women who disrupt the stereotype of the unworldly, uneducated, unintelligent village woman. This is a work of decolonization, unravelling the orientalist stereotype too many Indian women have — and are — burdened with.

I cannot wait for Shroff’s next book.

In the Upper Country: A Novel by Kai Thomas

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In the Upper Country: A Novel
by Kai Thomas

I was very excited to read this, and it did not disappoint. In The Upper Country offers readers a new perspective, one of many histories, of the Underground Railroad, and the people who traversed it, were borne out of it. This is a story about ancestry and descending, the diverse and convergent ways in which histories flow, often beyond our control and understanding.

Several stories, seemingly disparate, come together here to bring a fleshiness to a spectral kind of history.

The story is set in Dunmore, a town in Canada were black people who have escaped slavery can be free — and yet, of course, not, living as they are within a white world. An event shakes the town, the criminal refuses to be cowed and the result is a tense struggle between generations to grapple with North American chattel slavery and the concept of freedom. The result is a portrayal of the tragically disjointed and yet deeply connected lives of black slaves and free blacks. Lensinda was born free. But she must still live with the past. The past must learn how to reconcile itself.

This is the kind of story that must be read and re-read, the reader accepting that with each re-reading a different understanding of the characters and their ideas of freedom and bondage will become visible.

The Shoe Box Waltz: A Novel by Kathleen Patrick

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The Shoe Box Waltz: A Novel by Kathleen Patrick

The Shoe Box Waltz is the story of lives intertwined, each one shaped by the others it touches. Each of these lives is in turn shaped by single defining moments, a moment that we never expect to possess such impact. This is a novel of the power of such encounters, seemingly so fleeting and unimportant at the time, as they become amplified. While its author, Kathleen Patrick, labels this a psychological novel, I am inclined to class it as a literary fiction: character-centric and deeply reflective, rather than psychological in the academic or manipulative sense.

The novel revolves around a young woman, Cora, and takes us through three interlocking periods of her life: her youth, her childhood, and her adult life after a traumatic event. As she moves through these periods of her life, she encounters people whose decisions shape the course of her own experience: Nancy, Caitlyn, Maureen, and later, Ian and Ray. There is also an unnamed external narrator, perhaps a sentient persona in Cora’s subconscious. This reader found the novel to focus heavily on the experience of being a woman and the trials of womanhood; a topic I enjoy and appreciate as a woman. A note: Readers should be aware they may find elements of the novel triggering; but, as women generally know, a woman’s life in this patriarchal world is inherently fraught with trauma.

Divided in two parts, bifurcated as Cora’s life becomes, the reader is given a view into the inner perspectives of each of these individuals in Cora’s life, as well as a her own. Each chapter is narrated by a different individual, some also switch position from 1st to 2nd to 3rd, offering the reader a wholly different voice and understanding of Cora’s story. In some cases, the switch of perspective is jarring, but overall, the mechanism works to deliver an unusual reading experience.

Patrick’s prose is literary; thoughtful and evocative, stealthily drawing emotion from the reader. That said, some descriptions and phrases read poorly, dated, and somewhat cliché: “shapely legs” for instance, provides no real fleshy image for this reader. Despite this, I was compelled to read on, finishing the novel in the space of three days. Cora’s story — and Nancy’s intervention in it — was magnetic.

Readers who enjoy historical literary fiction, with a feminist tint, will be sure to find The Shoe Box Waltz a moving and emotional experience, well-worth the effort of reading it.

The Complete Maus (Maus I and II) by Art Spiegelman

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The Complete Maus by Art Spiegelman

What more could I say about this classic work of the Shoah? I’ll start with when and how I obtained my copy. I won it as part of a Goodreads giveaway in 2022, when Maus was hitting its school/library book ban (to date) and the book was featured in all sorts of news media, for better or worse, and copies of it were whizzing off online and physical booksellers’ shelves (a good thing!)

I was thrilled to get a copy as I had never read it, though of course, I know and teach the Holocaust in my classroom.

Reading it humbled me, as all novels and non-fiction of the Holocaust does and should, but the visual aspect of the graphic novel did it in ways I had not expected. As one can guess from its iconic and unforgettable cover, Maus is populated with mice, cats, and dogs rather than humans. The dehumanization of the Jewish people by the Nazi regime was no less poignant for this swap. Perhaps it is even more powerful; animals are an obvious metaphor: the hunters and the hunted, the obedient and the illicit.

Aside from the personal, intimate view into the Holocaust experience, I deeply appreciated Spiegelman’s portrayal of adjustment to emigration, and the struggle of the following generation to understand the depth and pain of those who had suffered through it. What happens afterward is equally worthy of attention as the event(s) of the Holocaust itself; really, these are not discrete events. These scenes made it clear the Holocaust is not a finished incident, but a deep intergenerational open wound spanning decades.

The Nickel Boys: A Novel by Colson Whitehead

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The Nickel Boys: A Novel by Colson Whitehead

This novel knocked the breath out of me. It’s a punchy, unabashed novel that does not hold back for the delicate senses of the reader. And that’s really its purpose: to strike, to aggressively announce blackness and the terrible history of being black in America.

The Nickel Boys are children and teens who have been sentenced to a juvenile detention center of the same name, a place that announces its purpose is rehabilitation and calls itself a school in name only. This is where the state of Florida shuts away its poor, young white and black boys. The novel follows a young man who, after seventeen years of successfully avoiding the racism roaming the streets in the form of cops, finds himself arrested and carted off to Nickel for his sentence. Here, he and reader have their eyes opened to the brutalities of being a black boy in a white man’s world.

Like Whitehead’s other novels, The Nickel Boys is written with an urban lyricism unique to him. The way Whitehead’s prose and story weaves in on itself, producing by the novel’s end, a symmetrical structure is deeply satisfying and alluring to this reader. Throughout the novel there are little hints at its ending, as if its ending was never — should never — be a surprise (though it is, and purposefully so). Whitehead is a master at unravelling just enough thread to keep the reader dangling, tying off all the knots at the end to zip it all up.