The River We Remember: A Novel by William Kent Krueger

The River We Remember: A Novel by William Kent Krueger

As a reader, we all yearn for those novels that truly take us to another moment in time and hold us there until we feel like our own world is strange. We are lost when we return to our reality, feeling a little fuzzy in the head. I felt that way with this novel.

The River We Remember is a historical murder mystery, a story that is almost a cliché: the cowboy-like detective of a small, rural town, embroiled in the politics and corruption that all small towns seem to have and own proudly, must cut through all that to discover the truth. Along the way he has to confront his own loyalties, his own foibles, his own prejudices. He’s a flawed human being. Indeed, that’s part of Krueger’s skill here as a story-teller. His characters are fleshy, flawed beings, each with their own set of ambitions and darkness.

The River We Remember documents the seediness of life in a small town that looks perfect and serene on the exterior. That’s the kind of atmosphere Krueger builds here. Exposure of what lies in the shade. The crime rips away the comfort of that darkness, makes everything come into the glaring light.

The brilliance of the story aside, Krueger’s prose and dialogue, both the internal reflection of its protagonist and what is voiced, creates a lively world. Readers can almost hear the breath of the characters as they brush past the invisible reader in their midst.

Believe Me: A Novel by Molly Garcia

Believe Me: A Novel by Molly Garcia

Believe Me is the kind of novel that defines its genre. It is the perfect psychological thriller, with all the twists and turns and impossible possibilities that make readers clench their teeth while reading.

The novel begins with an explosive arrest; Carrie is carted off while doing her weekly shopping. She is accused and then convicted of murdering three young children in the woods. But did she really do it? The novel revolves around the psychiatric report ordered for her parole hearing several years later, and the investigation Dr Quinn, her appointed psychiatrist, discovers he must conduct to properly write his assessment of her.

Did she do it? Why? Where are their little bodies buried? These are the questions that haunt the compassionate doctor — and the reader.

For readers who enjoy psychological thrillers in the vein of Tana French or Sue Grafton, Believe Me will deliver abundant satisfaction. I found myself comparing Garcia’s novel to Margaret Atwood’s Alias Grace, though this novel is set in the contemporary moment, and a far shorter read. Believe Me is a compact 184 pages, and very well-written. I found myself especially drawn to Garcia’s dialogue. The characters come alive through their conversations; their voices are clear and distinct. Garcia’s prose was smooth and evocative. This reader could feel the tension between Dr Quinn and his patient, between the doctor and the staff at the prison where Carrie is an inmate. The mood Garcia creates is a veil obscuring the truth, one the doctor and the reader will claw at.

Believe Me kept me tilting on the edge throughout its 184 pages — and the ending! What a twist!

The Blackout of Markus Moore: A Psychological Thriller (Novel) by Dan Grylles

The Blackout of Markus Moore: A Novel by Dan Grylles

As I expand my literary horizons out to self-published and independently published novels, I find myself also drawn to genres I wouldn’t normally choose for myself, in this case, thrillers. I’ve only ever occasionally read mysteries and thrillers, though in retrospect, after reading them I find I’ve deeply enjoyed the suspense.

Suspense is one of the appeals of The Blackout of Markus Moore and it has it in abundance. Indeed its mystery is spun out to the very end. For readers who enjoy domestic thrillers, reflective and tortured unreliable narrators, and edge-of-your-seat urgency, this is the novel for you.

The novel opens — and reads — like a blockbuster film, with a bang (literally) and the blackout of the its eponymous protagonist. Markus is blind to his past, to his present, and finds himself chasing who he is just as much as he finds himself being chased relentlessly by others. This is a man born under an unlucky sign, but there is the possibility that he has designed this complicated constellation himself — and is now the victim of his own making. Readers may find themselves both rooting for and against Markus; even he himself isn’t entirely sure of his role in all this mess. I will leave it to the reader to discover the outcomes themselves.

But they should know there is little time to catch their breath; the novel accelerates, rather than slows down. There is no lull in this thriller. Moreoever, it culminates in an unpredictable, surprise ending. At 256 pages, the novel delivers its payload quickly, which, for some readers who dread heart palpitations, this will be a relief. Though, I imagine, most readers who favor thrillers will love the breath-catching factor of this novel.

Grylles’ prose sets the quick pace of the novel; it is straightforward and succinct, even while it permits the reader — and the novel’s characters — time to ruminate and reflect on events. This is a plot driven novel which proceeds much as a film of its genre would, with one thing leading catastrophically to another. That said, its characters — Markus, Maria, Clark, and even Jackie — are fully fleshed out individuals, visible to the reader both in terms of their physical representations and as players in the fatal cat and mouse game that runs Markus into a frenzy.

Overall, The Blackout of Markus Moore is well-crafted, both in its delivery and conceptualization, a true seat-gripper of a thriller. Readers who would like to purchase it may find it on Amazon here in paperback for $11.99 or read it as an ebook via Kindle Unlimited (subscription required).

The Unforgiven Dead: A Novel by Fulton Ross

The Unforgiven Dead: A Novel by Fulton Ross

This Tartan Horror/Mystery had me creeped out in the middle of the night! And yet, I couldn’t put it down, spine shivers be damned!

The novel revolves around a murder of a young girl and the mystery of her gruesome death, as seen through the eyes of the local constable who is investigating it, Angus. But this policeman is extraordinarily gifted with paranormal (in)sight, a legacy of his own haunted past. What results is a deeply engrossing whodunit woven through with Gaelic history and culture. For readers who enjoy hints of the demonic, pagan, and ancient evils, The Unforgiven Dead will have you prancing a ritual dance. For readers who love a twisted murder mystery, one in which the murderer is hidden in plain sight alá Agatha Christie, The Unforgiven Dead will absolutely make you squeal once the culprit is exposed.

But the story alone is not the novel’s only draw. The characters of this novel are deftly crafted, their dialogue mimics life, their motivations are raw and human and utterly flawed. For readers of literary fiction, the trials of Angus, Nadia, Gills, and Ashleigh will rent your heart. Their lives mimic reality and their hurts are ones we are likely to relate to, if we don’t know them well already.

The Unforgiven Dead leaves me pining for a moody, grey Scotland more than I could have imagined.

Unnatural Ends: A Novel by Christopher Huang

Unnatural Ends: A Novel
by Christopher Huang

Unnatural Ends reads like a French six-course dinner prepared and delivered by the latest cohort of Top Chef, served in the very classy digs of Downton Abbey, while you and your guests find yourself flung into a live-action Gosford Park; in short, this novel is the quintessential English manor-murder-mystery, updated for the 2022 reader. There is a hint of Mavis Hay’s (1936) Santa Klaus Murder here, a bit of Agatha Christie, and a good strong nod to the immorality of the British Empire (though, nothing quite so dark as Kazuo Ishiguro’s Remains of the Day). This novel is unbelievably English.

I loved it.

It did take me a few chapters to fully dig into the thrill of the case, but the family was so immediately deranged and dysfunctional, I couldn’t look away any more than if I encountered a train accident and found it to be the wreckage of the Orient Express.

The story begins with the death of the patriarch — his ghastly murder — and the strange clause in his will that disproportionately favors any of his adopted children who solves the crime. The novel unfolds from that point on in a predictable fashion for any mystery, but the ending and the twists of blood, family, and the loyalties of genetics kept this reader on her toes. Just when this reader thought she’d solved it, something emerged which threw her off! Between the three siblings, the pathetic mother and widow, the overbearing and sadistic father, and the eye-rolling police, Unnatural Ends delivers a very witty enjoyable read from start to finish.

For the reader who enjoys more than mystery, the novel also possesses several threads of underlying social and historical commentary. Britain’s dark imperial history, rife with its undeniable racism and eugenic standards of morality, are key foundational elements of the plot. Indeed, the cruel history of eugenics and colonialism are integral to the constituency of its characters and the motivations behind the twists and ruts of this mystery. On that note, however, the novel is not pedantic or a history lesson: it is wholly a mystery novel.

A History of Fear: A Novel by Luke Dumas

A History of Fear: A Novel
by Luke Dumas

By page three, I was hooked. The ending comes to a perfect, organic conclusion — but I readily admit that if Dumas writes a sequel, I’m all in.

A History of Fear unfolds like Stoker’s Dracula, adopting an epistolary approach, delivering the story via journal entries, letters, official reports from doctors, prison officials, and newspaper articles. The novel dives deep into the most disturbing parts of human psychosis reminiscent of Dostoevsky’s Crime and Punishment. It delivers gothic horror too, in the manner of Shelley’s Frankenstein. In the end, the reader can’t be entirely sure of who is the monster, if demons are real, if evil is more human than we comfortable with. A History of Fear is a horror fan’s feast: gore and psychological terror stride side-by-side, the paranormal and the divine and the mundane intertwine to create a world the reader is never entirely sure is real. Illusion may very well be reality… or worse.

But the story is not fantasy; there is a real history embedded in this novel — and a commentary on a history of monstrous bodies, sexuality, religion, and intergenerational trauma. There is a reality underlying the one Dumas weaves for us. This is what makes the novel so appealing; there is a real horror here, one that we can recognize. This history is one that might be so common as to be truly terrifying because it might actually exist within ourselves. Or someone we know.

A History of Fear follows the main character’s slow descent into madness — or his ascent into clarity, depending on your interpretation. There is a true mystery here and this drives the story forward. The reader needs to discover what the main character also seeks: some sense of closure and parental acceptance. The main character is driven by a need to know themselves and their past. This is a genealogy of a family and the homophobic culture of the West. Dumas focuses on the psychological damage inflicted on those who deviated from the dominant norm and those who dared to question their place in it. The novel travels between the past and the present, each part of the jigsaw puzzle adds to the image of the whole of time, allowing the reader to witness the unraveling of the man’s mind and the suffering caused by intergenerational trauma.

The novel opens with the main character’s eventual, inevitable fate; this is the mystery. We know what happens to him. The mystery is why and how. The horror is the long arm of intergenerational trauma.

A wonderful book to have read in October, the Halloween month, but really, a fantastic gothic horror for any time of the year.