Prequel: An American Fight Against Fascism by Rachel Maddow

Prequel: An American Fight Against Fascism by Rachel Maddow

Someone get me a copy of this book for my personal library! (A friend lent it to me.) Maddow’s historical chops are on point in this prosopographical micro-history of mid- and early-twentieth century American political history. And the message is profound and powerful.

Through a close examination of U.S. government officials and political figures from the 1930s through to the mid-century, both those who advocated for a fascist approach to governance and those who opposed it, Maddow makes two important arguments: first, the political climate of the last eight years is not a new phenomena; second, pro-fascist cadre of politicians of the past — and by inference of today — did and do not operate alone, but were supported by institutionalized oppressive systems within the government, networks of pro-fascist supporters who did the political legwork on the ground on municipal, state, as well as federal levels, and their constituencies. In short, no fascist leader functions or sustains in a vacuum. The ideology of oppression arises through a network of individuals working together and often playing on the fears and logic of scarcity.

I would expect no less from Maddow, who holds advanced degrees and is, in my view, a public academic. Maddow does not disappoint on any level: the writing is undeniably in Maddow’s voice (I hear the audiobook is incredible), delivered with succinct sharp wit and their signature speedy, yet smooth, style. Fans of Maddow’s other mediums are sure to enjoy this much longer, more in-depth project.

The Easter Parade by Richard Yates

The Easter Parade by Richard Yates

Originally published in 1976, The Easter Parade, justifies its classic status. The story, revolving around gendered concerns, the complications of family and love, imparting a sense of futility and time passing, remains wholly contemporary. Yates’ novel is one that entered on a timelessness human experience: life and living.

That said, for all its timelessness, the novel is grounded in its historical moment. It carries the reader through several decades, letting them be witness to shifts in American culture, especially as it pertains to gendered expectations and the function of love and sex in the lives of educated white women in mid-twentieth century America.

The plot follows the life of two sisters, though it is centrally focused on the younger, Emily Grimes. As children Sarah and Emily Grimes were part of a generation whose parents were divorced; their mother is a single mother, their father is an absent, yet present factor in their lives. The tale follows them through adolescence and then young adulthood, where their paths diverge. Sarah takes the more conventional path of marriage, child-bearing and raising, while Emily pursues academic life, single womanhood, love affairs — marriage too, but also divorce — and a career. The Easter Parade is built on their divergent, yet intertwined lives; Part three and four of the novel take the reader into the interiority of their familial and sibling bond. Despite their differences, the sisters remain, well, sisters.

In a sense, this is a novel about nothing and everything, the intangibility of our lives and the worth of living those lives. I have just finished reading it, feeling like I have traversed the twentieth century, like I have witnessed humanity being played out among other people, been given a privileged view into someone’s life.