Oppression – Dr JoAnn LoSavio

Almost Brown: A Mixed Race Memoir by Charlotte Gill

As a historian I deeply appreciate Gill’s memoir, and for multiple reasons. Gill’s childhood experiences and those of her parents, captured from her memories and filtered through an adult lens retrospectively, highlights mid-twentieth century tensions of empire and our global journey towards decolonization. Moreover, Gill does it with a sensitivity to the internal, subjective conflict “colonials” often face as they grapple with their identities. The frustration of Self that Gill reveals to the reader, through her parents and her own struggles, is not an artifact of the past, singular to the decades of peak decolonization in the mid-twentieth century; these are still liminal spaces individuals occupy and traverse today.

In that respect, Gill’s memoir not only captures a particular zeitgeist of the 1950s-1980s — decades which saw a mass migration of colonials across the world, decolonization and independence movements coming to fruition, and a general cultural revolution across the world in terms of race, racism, and anti-paternalism — it also makes the reader aware of the continuity of this historical spirit and its legacy as it is lived today.

The success of this memoir is in large part due to Gill’s self awareness and willingness to see her parents (and herself) for the people they are; Gill examines them with an academic eye, as historical subjects, but also as emotional, affective beings whose desires and needs are universal across time and cultures. The result is a very relatable, human memoir, one which draws the reader into the nucleus of Gill’s family as well as the age in which they lived.

Some of Almost Brown‘s success must also be attributed to the fanciful and (for their time) outrageous characters her parents are, for the daring ways they each challenged the norms of their age in terms of race/racism, gender, and transnationality. This is where Gill’s memoir appeals to more than the smallish subset of readers whose interest is in post-colonial subjectivities; for while the memoir hinges on post-coloniality as its primary locus, it is also about the oppressions we inflict upon each other, the intersectionality of our daily lives, and the myriad of ways in which power flows or not even within a family. Gill’s mixed-race family serves as the perfect case study in which brown people and white people — that is, race — can be upended by gendered expectations, or vice versa. Gill’s white mother was submerged under her brown husband, even while he was marginalized by a society that saw him as inferior by dint of his skin color. She, in turn, was snubbed by both her husband and society for daring to be that which society deemed heroic: an independent-minded mother.

In short, Almost Brown is a memoir well worth the reading.

Prequel: An American Fight Against Fascism by Rachel Maddow

Someone get me a copy of this book for my personal library! (A friend lent it to me.) Maddow’s historical chops are on point in this prosopographical micro-history of mid- and early-twentieth century American political history. And the message is profound and powerful.

Through a close examination of U.S. government officials and political figures from the 1930s through to the mid-century, both those who advocated for a fascist approach to governance and those who opposed it, Maddow makes two important arguments: first, the political climate of the last eight years is not a new phenomena; second, pro-fascist cadre of politicians of the past — and by inference of today — did and do not operate alone, but were supported by institutionalized oppressive systems within the government, networks of pro-fascist supporters who did the political legwork on the ground on municipal, state, as well as federal levels, and their constituencies. In short, no fascist leader functions or sustains in a vacuum. The ideology of oppression arises through a network of individuals working together and often playing on the fears and logic of scarcity.

I would expect no less from Maddow, who holds advanced degrees and is, in my view, a public academic. Maddow does not disappoint on any level: the writing is undeniably in Maddow’s voice (I hear the audiobook is incredible), delivered with succinct sharp wit and their signature speedy, yet smooth, style. Fans of Maddow’s other mediums are sure to enjoy this much longer, more in-depth project.