Midnight at Malabar House: A Novel by Vaseem Khan

The Malabar House Series #1

Midnight at Malabar House: A Novel by Vaseem Khan

This novel was so fun to read, and with every one of the detective’s victories I felt like yelling out, “Go get it, girl!”

The novel revolves a young woman who has become India’s first police detective. The case of a lifetime is thrust — seemingly serendipitously — into her lap. But it’s a double-edged sword: she could either emerge from the fight triumphant, the murderer under her arrest, or lop her own head off and prematurely end her career before it even begins. But that isn’t the own tightrope she has to balance.

Malabar House is the name of her station, and its where — as a woman in a male-dominated career –she has to prove to herself, she is a worthy policewoman and Indian citizen and earn the obedience of her colleagues, if not their respect too. Obstacles of all sorts are thrown at her, some from within the ranks and others by those she thought would support her to the most. Betrayal lurks in wait for her everywhere.

It’s a very intriguing story, not only for the mystery at the root of the novel, but because it takes place at a critical moment in Indian history, just as the new nation is emerging from its colonial cage, when change is possible in all sorts of ways (for the better and for the worse), when Britain’s imperial secrets might be exposed under the lights of new India.

I enjoyed both threads of the story immensely. Unlike many postcolonial novels, which are dark and brooding and deeply serious Midnight at Malabar House was joyous and in parts, comedic (perhaps only in comparison). I felt vindicated each time our detective “won one” over her misogynistic colleagues or the corrupt officials who threatened to stand in her way. That said, readers should not expect to be only entertained; the traumatic history of India’s partition, the genocide of Muslims and Hindus, and other dark elements of British imperialism feature here. Post colonial literature is often tinged with some amount of sadness and trauma, justifiably, and this novel has its share of this.

I am not one for book series — I prefer standalone novels and duologies are my usual limit — but I wouldn’t mind reading another one in the Malabar House series at all.

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